Sara Aliaga Ticona es una fotógrafa y comunicadora social aymara, radicada en la ciudad de La Paz, Bolivia, becaria de National Geographic Society, miembro de Women Photograph e indiginous Photograph. Utiliza la fotografía como instrumento de reconquista identitaria, donde los ejes transversales de su investigación visual se construyen en torno a narrativas simbólicas, conceptuales y documentales relacionadas con el género y la identidad y el espacio social de las mujeres en Bolivia y para visibilizar de manera participativa temas relacionados con los derechos humanos y la crisis climática que impactan a los pueblos indígenas. Con su trabajo busca elaborar discursos de creación de memoria colectiva visual consciente que empodere y dignifique, estos temas son transversales a su forma de vida como mujer, como mujer indígena y como fotógrafa.
Sara Aliaga Ticona is an Aymara photographer and social communicator, based in the city of La Paz, Bolivia, explorer of National Geographic Society, member of Women photograph and indigenous photographers. She uses photography as an instrument of identity reconquest, where the transversal axes of her visual research are built around symbolic, conceptual, and documentary narratives related to gender and identity and the social space of women in Bolivia and to make visible in a participatory way issues related to human rights and climate crisis that impact indigenous peoples. With her work, she seeks to elaborate discourse of creation of conscious visual collective memory that empowers and dignifies, these themes are transversal to her livelihood as a woman, as an indigenous woman, and as a photographer.
Sara Aliaga Ticona is an Aymara photographer and social communicator, based in the city of La Paz, Bolivia, explorer of National Geographic Society, member of Women photograph and indigenous photographers. She uses photography as an instrument of identity reconquest, where the transversal axes of her visual research are built around symbolic, conceptual, and documentary narratives related to gender and identity and the social space of women in Bolivia and to make visible in a participatory way issues related to human rights and climate crisis that impact indigenous peoples. With her work, she seeks to elaborate discourse of creation of conscious visual collective memory that empowers and dignifies, these themes are transversal to her livelihood as a woman, as an indigenous woman, and as a photographer.
