Sara Aliaga Ticona, comunicadora social, fotoperiodista boliviana y artista visual Aymara. Como fotógrafa y narradora visual concibo la fotografía como un instrumento social de reconquista identitaria, donde los ejes fundamentales de mi investigación visual convergen en torno al género y la identidad, los derechos humanos, la crisis climática y el impacto que tiene en los pueblos indígenas.
Mi trabajo se construyen en torno a narrativas simbólicas, conceptuales y documentales con el cual busco elaborar discursos para la creación de una memoria colectiva visual consciente, ética y que dignifique, temas que son transversales a mi propia realidad como mujer indígena y como fotógrafa.
Sara Aliaga Ticona, Bolivian social communicator, photojournalist and Aymara visual artist. As a photographer and visual storyteller I conceive photography as a social instrument of identity reconquest, where the fundamental axes of my visual research converge around gender and identity, human rights, the climate crisis and the impact it has on indigenous peoples.
My work is built around symbolic, conceptual and documentary narratives with which I seek to elaborate discourses for the creation of a conscious, ethical and dignifying visual collective memory, themes that are transversal to my own reality as an indigenous woman and as a photographer.
Mi trabajo se construyen en torno a narrativas simbólicas, conceptuales y documentales con el cual busco elaborar discursos para la creación de una memoria colectiva visual consciente, ética y que dignifique, temas que son transversales a mi propia realidad como mujer indígena y como fotógrafa.
Sara Aliaga Ticona, Bolivian social communicator, photojournalist and Aymara visual artist. As a photographer and visual storyteller I conceive photography as a social instrument of identity reconquest, where the fundamental axes of my visual research converge around gender and identity, human rights, the climate crisis and the impact it has on indigenous peoples.
My work is built around symbolic, conceptual and documentary narratives with which I seek to elaborate discourses for the creation of a conscious, ethical and dignifying visual collective memory, themes that are transversal to my own reality as an indigenous woman and as a photographer.
